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You are at:Home»News»There’s A Distinction Between Honoring A Useless Artist And Exploiting One
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There’s A Distinction Between Honoring A Useless Artist And Exploiting One

Thomas EduardoBy Thomas EduardoOctober 20, 2026No Comments7 Mins Read
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There’s A Distinction Between Honoring A Useless Artist And Exploiting One
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One other new album of previous Eva Cassidy recordings, known as Jazzed, is about to return out. Cassidy, a peerless D.C. songbird, died 30 years in the past subsequent month. Her provide of unheard materials ran out way back. Those that legally management Cassidy’s songbook transitioned from merely curating her artwork, as her label nonetheless claims to be doing with the most recent venture, to altering it. Jazzed gave me the blues.

Cassidy’s expertise was uncommon and large, although it took her dying to get the music business to note. And the story of her quiet, comparatively nameless life giving approach to huge posthumous reputation the world over is equally superb. When she was alive and singing, Cassidy was unknown exterior the D.C. space, the place she was born and raised and stayed till the tip. She actually wasn’t a giant attract her hometown, both. She had a small, hardcore group of native followers who cherished her for her pitch-perfect voice and multi-genre musical vary, and in addition for being a serene, candy soul seemingly as oblivious to her personal inventive genius as had been all of the record-label honchos who rejected her when she was knocking on doorways on the lookout for a deal. She paid her payments by working at a plant nursery, not by making stunning music. Cassidy and her band gigged principally at bars, by no means at theaters or music halls. She financed her personal recordings, together with 1996’s Dwell at Blues Alley, the one solo album she lived to see launched. 

However proper when that file was about to return out, Cassidy started telling mates she wasn’t feeling proper, and died from melanoma mere months later. Some Cassidy recordings received into the fingers of pop influencers in England within the late Nineteen Nineties, most notably her cowl of “Over the Rainbow,” and over the subsequent few years she grew to become a phenomenon all through Europe after which the world. One other large break got here when Crew USA’s Michelle Kwan skated to Cassidy’s model of “Fields of Gold” on the way in which to a bronze medal through the 2002 Olympics.

She has now bought greater than 12 million albums, in accordance with Blix Avenue Information, a small file firm primarily based in Gig Harbor, Washington, that received management of Cassidy’s songbook from her household shortly after her demise and nonetheless holds it. And Cassidy’s nonetheless received business life left in her, at house and overseas. Some indicators: The Essence of Eva, a documentary from Irish filmmakers Alex Fegan and Malcolm Willis, premiered on PBS this summer season. Dave Allen, an Irish heavyweight boxer, used her “Fields of Gold” to soundtrack his dramatic ring stroll at Croke Park in Dublin on the undercard of final month’s monumental farewell combat from nationwide hero Katie Taylor. A South African theater troupe has traveled round that nation for the previous few years with a bio-play, The Story of Eva Cassidy, and IN Collection, a D.C. dramatic clique, has produced a musical, Chuck & Eva: Songs from the Different Aspect, constructed round her too-brief collaborations with go-go pioneer Chuck Brown. 

And, not coincidental to her profession nonetheless exhibiting some important indicators, right here comes her label with one other file on the market. Not new Eva Cassidy songs, thoughts you. Simply one other Eva Cassidy file.

By means of the years Blix Avenue has fought exhausting to retain its potential to, within the phrases of a California appeals courtroom in a lawsuit that the label filed towards Cassidy’s dad and mom, “exploit the rights to the Eva Cassidy audio recordings.” In latest press kits, the label cops to releasing “greater than a dozen posthumous Eva Cassidy compilations.” 

To briefly however sincerely be good to the label, with out Blix’s efforts, it is probably no British DJs would have ever gotten their fingers on her music and given her profession life after demise. There can be no performs or documentaries introducing her to new audiences and reminding previous ones of her wondrousness. So, certain, the corporate deserves to be counseled and compensated. However how a lot exploitation of a departed artist is an excessive amount of? Typically, that is a troublesome query to reply. Not right here. Jazzed is an excessive amount of.

As per its title, Blix is selling the file as a set of Cassidy’s jazziest recordings, and has her singing over what seems to be each large band and funky jazz combos (oddly, nearly no musicians are named within the credit for Jazzed, so it is not even clear if people are taking part in). 

This follows 2023’s I Can Solely Be Me, an album that had Cassidy singing in entrance of the London Symphony Orchestra. Each data utilized what label boss Invoice Straw brags are “beforehand unthinkable technological developments” that enable Cassidy’s golden voice to be digitally faraway from the recordings she made with a clique of D.C. gamers after which positioned atop new preparations of the identical songs carried out by employed fingers the world over. Half of the ten tracks on Jazzed, and 6 of the 9 songs discovered on I Can Solely Be Me, had been additionally within the Dwell at Blues Alley set. Cassidy by no means appeared with the London Symphony, or any orchestra, or large jazz band, when she lived and breathed. 

Probably the most offensive observe on this newest album of retreads is “Blue Skies,” the Irving Berlin chestnut. Producers took Cassidy’s voice from the Dwell at Blues Alley session and introduced in someone named Max Cooper III to sing alongside her. Based on press supplies, Cooper is a 23-year-old who competed and misplaced on Season 28 of NBC’s The Voice. His vocals had been recorded late final 12 months at a Kansas Metropolis studio. The outcomes of the Cooper/Cassidy confab are cringy. Cooper comes off as timid and weak subsequent to Cassidy. How might he not? 

Then there’s “Dancing Cheek to Cheek,” with Cassidy’s vocals additionally taken from Blues Alley; “It Don’t Imply A Factor (If It Ain’t Received That Swing),” from a 1995 Cassidy look at a tavern in Annapolis, Md.; and “Blues within the Night time,” from a 1995 studio session. All are reimagined right here with large band preparations. Cassidy sounds joyous and bouncy—assured, even—all through every observe. 

That is revisionist musical historical past. Cassidy within the flesh was neither joyous nor bouncy as a performer. For all her god-given items, among the many extra memorable and lovable elements of her stay act got here from how reserved and shy she at all times appeared, even whereas warbling stunning melodies or belting out roadhouse blues like no person’s enterprise. She behaved as if she did not suppose she deserved an viewers. That Eva, the true Eva, is buried deep on this file. 

Again to me: I met my spouse at an Eva Cassidy present within the mid-Nineteen Nineties, at a suburban pool corridor with a canopy cost of $3 that was refunded as pool credit score. I used to be crushed by her demise and for a time was awed by her profession’s resurrection. Cassidy’s voice nonetheless hits me exhausting sufficient that I believed I might wish to hear absolutely anything from her. However the mere concept of Jazzed made it a tough pay attention. To cleanse my soul after every week of streaming such sacrilege, I sought out the unique Dwell at Blues Alley. I like to recommend the identical for anyone on the lookout for the true Eva Cassidy all these many years after her demise. What an important singer she was. What an important file that’s. That is how she deserves to be remembered.

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